‘Bye Bye Morons’ Review (‘Adieu les cons’): César Winner Pales in Comparison to Its Influences

A suicidal IT specialist and a blind archivist help a dying woman find the child she gave up for adoption in French director Albert Dupontel’s “Adieu les cons,” rechristened “Bye Bye Morons” in the U.S. (though “So Long, Suckers!” would’ve probably be a better translation). If you’re wondering how the iconoclastic Dupontel would incorporate such […]